Being Human
Aidan resurfaces after being buried alive in a coffin and realizes everyone from his vampire family has been swept away. After figuring this out, he too comes face to face with death and has to figure out how to stop it. Nora and Josh meet a young girl and debate how to handle the situation she brings while Liam tries to turn them against Aidan. Sally accidentally runs into someone from her past and has to meet with a witch to try and fix it.[3]
Being Human
The central premise of Being Human is that various types of supernatural beings exist alongside human beings, with varying degrees of menace; that three of these supernatural beings are opting to live amongst human beings rather than apart from them; and that these three characters are attempting (as much as is possible) to live ordinary human lives despite the pressures and dangers of their situations. They are constantly threatened with exposure or persecution, with pressure from other supernatural creatures, and with problems caused by their attempts to deal with their own natures.
All three have problems, Mitchell's central challenge is his struggle with his desire to feed (which is presented as being similar to a struggle against drug addiction). George's is to manage his monthly werewolf transformations in such a way that he does not kill anyone or pass on the werewolf affliction. He considers his condition to be "a curse", over which he is in a certain state of denial (including referring to his wolf-self as if it were a different person). Annie's challenge is to deal with her new existence as a ghost (including the isolation and loneliness which results from it) and to discover the reason why she has remained on Earth instead of passing over to the afterlife.
The remainder of Series 1 deals with the protagonists' attempts to deal with these situations and with the various characters (human or otherwise) with whom they come into contact or conflict. All of the problems are finally brought to a ferocious climax which the trio survive but with their existence no less precarious.
Series 2 (also set in Bristol) deals with the aftermath of Series 1. Mitchell must struggle with the dual responsibilities of managing his own urges and attempting to manage the now scattered and rudderless Bristol vampire community. George must cope with the responsibilities of intimacy and the problem of having passed on his "curse" despite his best efforts. Annie must find a new purpose in her continued presence (having resolved the initial issues that kept her on Earth) and must also deal with the malignant attention of another type of supernatural being, resident in the afterlife but able to influence events in the earthly world.
Nina has been killed in a vampire attack and the gang now has to take care of baby Eve, whose werewolf heritage appears to have attracted the attention of vampire overlords known as the Old Ones. In the first episode George dies while rescuing Eve, leaving her in the custody of Tom (who moves into Honolulu Heights) and Annie. Another trio of elderly werewolf Leo, ghost Pearl and vampire Hal later come to Honolulu Heights seeking help for Leo's transformations after a strange experience, but in the end Leo dies, passing on with Pearl while Hal remains to become the new vampire at Honolulu Heights. Lawyer Nick Cutler, a vampire created by Hal in 1950, plans to expose werewolves as part of a larger plan involving a vampire conquest of Earth. Cutler tries to get Hal back to his old ways of drinking blood, Tom and Annie learning that Hal is actually a former Old One and vampire ruler, with Cutler's efforts eventually succeeding in breaking Hal down. The blood sends Hal into overdrive and he repulses Alex, whom he is dating, with his crude and unusual behaviour when they meet for a second date. Alex leaves angrily but is followed by one of Cutler's men. Meanwhile, Eve, from the future, reveals to Annie that in her future, most of humankind are dead or living in concentration camps and vampires now rule every inch of the world. Annie is shocked to learn that Hal is the ruthless leader of the new vampire revolution. To save the world, Eve asks Annie to kill her when she is a baby. Cutler reveals Alex's dead body drained of blood as revenge for Hal murdering his wife in similar fashion in 1950. Cutler then locks Hal up, but Alex returns as a ghost and helps Hal escape. The Old Ones then arrive in Barry. To save the world, Annie blows up Eve and the Old Ones, completing her unfinished business, and "passes over" as she is no longer an Earth-bound spirit. The series ends with Hal, Alex, and Tom living together in Honolulu Heights.
On 17 January 2013, the series synopsis was released, explaining that Alex would be adjusting to life as a ghost with Tom while Hal tries to keep his bloodlust in check, and they decide to take up jobs at the Barry Grand Hotel. The three must deal with Mr. Rook, a government agent whose job is to keep the truth about supernatural beings from the public, and a pensioner named Captain Hatch (Phil Davis) who is secretly a vessel for the Devil.[17] The fifth series of Being Human was announced to be the final series on 7 February 2013;[18] the final episode was broadcast on 10 March 2013.
Reception of the series has been extremely favourable. Stephen Armstrong in The Guardian gave the show a warm review, noting that its primary appeal was not supernatural or horror. It was, he wrote, "a curious genre mash-up drama about a ghost, werewolf and vampire sharing a flat in Bristol, which deals more with the horror of living in modern Britain than the horror of the undead."[37] David Belcher writing in the Glasgow Herald was effusive, however, calling the series "Easily the sole good programme on BBC3... Being Human: the supernatural drama that's super in its depiction of human nature."[38] At the conclusion of the first series, Andrea Mullaney of The Scotsman had high praise for the show's premise and writing:[39]
When it debuted on BBC America in 2009, the show won similar plaudits. The Miami Herald's Glenn Garvin praised the show's balance of humour and pathos: "What it is darkly funny, deeply affecting and utterly cockeyed, a work that celebrates life by dwelling on death, love by abiding loneliness. It's a tale of cold, dead noses pressed up against the window pane of humanity... But for all the laughs, Being Human never loses sight of the menace of its characters."[40] Writing in The New York Times, Alessandra Stanley called the series "compelling" and praised its equal emphasis on horror, remorse, and humour:[41]
The praise continued throughout various periods of the series' run. Matt Roush from TV Guide, having given critical plaudits to the third series, said of the series, "Can't recommend it highly enough."[43] Reviewing the Series 3 Blu-ray release, the Wichita Falls Times-Record-News noted, "So many movies and TV programmes will suggest how evil people can be and how much characters can suffer. Being Human actually can make viewers feel something of that horror and awfulness."[44] Melinda Houston, writing for the Sydney Morning Herald, applauded the way the show took the common television theme of the "disenfranchised... suddenly retaliat[ing]" and inverted it.[45] "Moving beyond the teen tropes, it sets itself squarely in a mire of 20-something Gen Y angst. Being special and having power has no upside; being different is a burden and a nuisance and all anyone wants is a life of ordinariness."[45]
Being Human explores what it means to be human in the 21st century. It reflects our hopes and fears about new forms of medical knowledge, and our changing relationships with ourselves, each other and the world.
Each November, Being Human Festival presents hundreds of free events across the UK and beyond. Festival events aim to celebrate and demonstrate the ways in which the humanities inspire and enrich our everyday lives, help us to understand ourselves, our relationships with others, and the challenges we face in a changing world. Each year the festival invites researchers at universities and other research organisations to collaborate with local community and cultural partners to create exciting and engaging events and projects for all to enjoy. Being Human is a national festival by virtue of being local, with events taking place everywhere from Dundee to Devon.
Every fall, join people of all ages and backgrounds at creative events across New Jersey to explore the humanities scholarship of faculty, students, and staff from Princeton University. All programming is free.
The authors of this volume remind us how important it is to see migrants as humans, because human nature within them is not lost despite the economic, cultural or social limitations that they are experiencing. It is a book for scholars who are dealing with various migration issues either in quantitative or qualitative manner, which emphasises that behind numbers or labels there are individual stories, experiences and hopes. Anthropological Notebooks
If you want to be an effective leader, there are a few critical things you need to understand: First, nobody wants to be managed. Second, who you are is more important than how smart you are. And last, leadership is all about developing and enabling meaningful and trusting human relationships.
While universal compassion is not easy, it will be foundational in your quest to explore the human side of leadership. Here are a few things to consider when trying to bring more compassion to your leadership:
What is the impact of information and communication technologies (ICTs) on the human condition? In order to address this question, in 2012 the European Commission organized a research project entitled The Onlife Initiative: concept reengineering for rethinking societal concerns in the digital transition. This volume collects the work of the Onlife Initiative. It explores how the development and widespread use of ICTs have a radical impact on the human condition. 041b061a72